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Exclusive Interview: Brock Lesnar Discusses ‘Death Clutch’, Part 3

For the previous installments of our conversation with Brock Lesnar, click here and here.

BRIAN D’SOUZA: [When you were sick], maybe you thought a lot about your family, about what you’ve achieved in life…any regrets?
BROCK LESNAR: No, you know, I thought, if this thing is going to take advantage of me, I wanted to figure out what was wrong with me so I could beat it. When you’re laying there, after the fact, you start thinking about your family, and your friends. It wasn’t until afterwards when you’re thinking ‘Man — I really could have died from this stuff,’ when the dust settles, and you start thinking about it.

And on the other side of things, on the business side, there’s a lot invested in you, or a lot of value to you from the UFC. What was their attitude back then and recently, right now [when you pulled out of the Junior dos Santos fight]?
The first thing that came out of Dana White’s mouth was concern for my health. He said, “Don’t even worry about the fight. Let’s get your health taken care of.” That goes to show a lot about the company, and about the person that Dana White is.

Josh Barnett once told me ‘We have a pro wrestling system for MMA.’ But I kind of believe it’s a star system; I believe this based on the estimated pay-per-view buys which suggest — which we both know — you’re the number one draw in the organization by far. Going into the millions of pay-per-view buys where Georges St-Pierre can maybe do 800,000 or 900,000. How do you feel about being the number one guy?
Well, I don’t feel any different other than I’m glad to be in that spot, that opportunity; it’s a lucrative spot to be in, and at the end of the day, I hope that I can get back in the Octagon to keep trying to pursue those numbers.

For the previous installments of our conversation with Brock Lesnar, click here and here.

You’ve got these great numbers. There’s a lot of respect for you. You probably get a lot of great things contractually that most guys could never even dream of getting — no matter how successful they are, because on top of this, you were in the WWE, which is a great public relations machine itself. You were a star there, and came into the UFC, and became a bigger star than any UFC fighter could possibly become. Are you grateful to pro wrestling — or your own hard work and athleticism — for making you what you are?
Absolutely. I’m not stupid — without the WWE, the WWE made me a household name and increased my value tenfold before I even pursued the UFC. Could I be where I am today without the WWE? Probably not. Could I be drawing the same numbers that I’m drawing? Probably not. I brought a lot of fans over, a lot of crossover fans that I brought, just from the general public and WWE fans, I believe.

Do you believe that the real growth, in terms of pure numbers in MMA, is actually attributed directly to superstars like yourself, and a couple other guys…who are the household names who do these kinds of numbers?
I have to believe that just the growth of the sport in general — with anything — the more visibility they could gain, the bigger the audience is going to be, obviously. The UFC is doing all the right things to make this a mainstream sport, and if I can contribute to that, I’m glad for it and at the end of the day, it becomes more lucrative for other fighters, and myself, and the UFC, and we can still put out a great product that entertains people, and everybody is happy.

An ESPN Magazine estimate recently pegged your annual salary — probably from [fight] purses alone — at 5.3 million dollars. Is that hotter or colder, or can you not disclose that?
I’ve got no comment. No comment for that.

How do you feel your salary compares to someone like Manny Pacquiao — and again, we say MMA is a pro wrestling model — but he’s said to clear $32 million in the same survey.
Don’t believe everything you read.

I don’t necessarily believe everything that I read, but especially for the lower guys, like one of your opponents Shane Carwin — his guaranteed purse for his fight against you was $50,000; in boxing, it’s usually 25 percent of the purse bid that goes to the [title] challenger. I believe you’re doing pretty well, because you definitely have all the leverage over the UFC, but the guys who don’t have any kind of power aren’t really given the best kind of deal.
I don’t know for sure, I really don’t. I’m only concerned about one person, and that’s myself. I have no idea — I don’t read anything, I don’t pay attention. At the end of the day, I just want to fight and win fights and this is prizefighting for me, and winning fights, you win prizes.

I totally understand. You’re an individual and your own hard work got you to where you are. But have you ever thought about the next generation that’s coming up — they’re going to be kids [who] might look for some advice or some guidance to navigate the system.
I think the youth that want to enter this arena, it’s a good opportunity for learning disciplines and I think you’re going to see as the years go on, better fighters, because they’re learning all these new disciplines at a younger age, and it’s really becoming second nature to them. But as far as the business side of things, this is a capitalistic world we live in and if they can learn to save their money, they should provide a good living for themselves.

Is there anything else that you wanted to say on the subject of your book, or your life, or what you’re going to do next?
Hopefully, people go out and read this book [Death Clutch]. And right now, I’m just focused on my health, and trying to get better, and trying to get into the Octagon.

Buy ‘Death Clutch’ at Amazon.com

Exclusive Interview: Brock Lesnar Discusses ‘Death Clutch’, Part 1

“The bottom line: I don’t talk about my personal life with strangers. This one time, and this one time only. You are invited to join me in my private world for a few hours. Just don’t ever expect another invitation.” – back cover of Death Clutch: My Story of Determination, Domination, and Survival, Brock Lesnar’s autobiography

By Brian J. D’Souza

Harper Collins provided me with an opportunity that comes too infrequently in MMA — a chance to talk to Brock Lesnar one-on-one, to discuss his new book, while he’s in a good mood. The truth about Lesnar? He came from a small town, worked extremely hard, and utilized a wrestling persona to become the number one MMA draw. Does he hate the media? How much money does he make? And what does he think of promoters like Vince McMahon who pull all the strings? Read our three-part interview series with the controversial UFC heavyweight contender and find out…

BRIAN D’SOUZA: Death Clutch is your story, it’s your autobiography, it’s written in conjunction with Paul Heyman. First of all, tell us a little bit about your relationship with Paul, when you first met him?
BROCK LESNAR: I met Paul back in 2001, working for the WWE, and Paul was working as a writer for Vince McMahon, and I met Paul one day, he came up, and introduced himself. The next thing I knew, we were working together, and he was my onscreen manager and we became friends throughout the process, and stayed in contact over the years, and it was a delightful process for him and I to get together and reminisce and put this book together.

So of course, he had a lot of writing experience. I noticed the book is well-written.
Yeah, the main reason I decided to do this with Paul is because I felt comfortable having a conversation with him about all the subjects. Between him, the publisher, and my attorneys, I believe it’s a well-written book.

Can you tell me a little about your relationship with Erik Paulson, one of your trainers?
Erik is a Minnesota guy, and I met Erik through Greg Nelson. Greg was one of the first guys that started training me for Mixed Martial Arts and throughout the process, I was able to meet Erik Paulson; being fellow Minnesotans and Erik having a plethora of knowledge in the sport he’s been a mentor of mine throughout the full process.

I heard a rumor — maybe true, maybe not — that before the Shane Carwin fight you stopped working with him and concentrated on other trainers. Is that true?

By Brian J. D’Souza

I heard a rumor — maybe true, maybe not — that before the Shane Carwin fight you stopped working with him and concentrated on other trainers. Is that true?
Well no, I’ve cycled a lot of different people through. At one time, I brought Peter Welch in. I’ve never really quit working with anybody. I just didn’t have the opportunities or enough time throughout my weeks when I needed to fit people in and all these guys, [I] kept an open relationship with all these people. I’ve used them for one day in a training camp, or an entire training camp. Sometimes our schedules — because they’re off doing seminars, or what not — sometimes our schedules never work out. But these guys — I attribute a lot of my success to being coached by these guys.

What’s your philosophy in sparring? Do you go all-out, or do you go very light like they do in Thailand to preserve themselves?
To get the general feel — there’s days when we have [light] sparring, and there’s days when we have full-out sparring. For me to get the feel, there’s days when we’re going full-out, and I think you have to, because if you don’t gain the experience in the training room, you can’t have it in the octagon.

Going back to the book, you talk about the influence of your parents putting you in many sports, like many parents do here in Canada, here in North America. What do you think the psychological effect of not hearing a lot of praise was? Did it affect you a little bit?
Well no, there was a lot of positive energy around me. My mom — it might have come across in the book where all my mom wanted me to do was win, but it was an energy she wanted me to understand that I’m in this to win this. Both my mom and dad were very supportive. My mom just didn’t want to hear any whining if I lost.

I can see that. We do have something in Canada like hockey parents or soccer parents — I can only draw on my own experiences — not everyone’s a natural athlete or very gifted, as you obviously were. Psychologically, sometimes people have different talents, too. It’s pretty common, don’t you think?
Oh, absolutely. They want their children to succeed, but I believe there’s a thing of over-coaching and over-parenting. You can’t force anybody to do anything, and me being a parent, I understand that very well. If my children don’t want to participate in an activity, I don’t think it’s right for me to force them to do anything.

It can be a problem with some coaches, too. Early on, some would threaten me — some couldn’t make it themselves — even to the point of [threatening] physical violence. That can be very uncomfortable. In wrestling circles, there’s [high school] players who’ve died, football players who’ve died of dehydration, wrestlers who’ve died of dehydration. It’s completely unnecessary in my opinion.
There are coaches out there that shouldn’t be coaches. And there’s parents out there that shouldn’t be parents. But what are you going to do about it? Nothing.

Moving on, you went to Lassen Community college [in California] and you mention not having a lot of money, having to struggle a lot. Where did you stay? I don’t think that that’s completely explained [in the book], to pick up a couple credits.
I stayed with the wrestling coach there. He was kind enough to rent me a room in his house there for little or nothing, and that was an experience that I’ll never forget: driving out to California to a junior college [when] at the time I had never been out of South Dakota or Minnesota or North Dakota, so it was quite the adventure for a young lad.

That’s exciting, because you leave home once, and you find yourself constantly leaving and jetting off to different places.
Yeah, unexpected places. It made life interesting, that’s for sure.

You talk a little about media attention. It starts off during your [college] wrestling career because you’re winning, you’re being successful, you talk about your dislike for it. Were you proud when you were profiled by GQ in 2010, in July?
Yeah. I guess I shouldn’t say that I really dislike the media, I don’t. It’s just that when it’s time for me to isolate myself and to stick to a job where it’s just me or a family man, I’ve been very private in those areas. Anytime that I have something to legitimately talk about, I’ve got no problem dealing with the media.

Come back tomorrow for the next installment of our interview with Brock Lesnar.

Brock Lesnar’s Book Sounds Like It Might Actually Be Interesting

(“The fact you would even bring Barthelme into this discussion tells me everything I need to know about your view of so-called postmodern literature, Mir. Seriously, grad school is over, man.”)

We’re still 10 days out from the scheduled release of Brock Lesnar’s autobiography and – if you’re like us – it’s getting hard to wait, since you already expunged your spring reading list by powering through “The Immortal Life of Henrietta Lacks” and “The Emperor of All Maladies” over the weekend. What can you say? You are a fucking voracious reader. Luckily for you, the fine folks at literary giant Harper Collins have served up a fairly lengthy excerpt from the former UFC heavyweight champion’s upcoming opus “Death Clutch” to keep you sated until the actual publication date.

Some of the middle-aged ladies who work at HC have even been tweeting links to the outtakes from Lesnar’s book – something we bet they never thought they’d be doing when they got into publishing – and so we checked it out. Oddly, we were sort of delighted with what we found. Firstly, it turns out that Lesnar finds a way to dis Frank Mir in the book’s very first paragraph. We read that and started thinking, ‘OK Brock, you have our attention.’ Look for Mir to fire back in his upcoming memoir “Confessions of a Strip Club Bouncer.” After the jump however, Lesnar gets the first word …

(“The fact you would even bring Barthelme into this discussion tells me everything I need to know about your view of so-called postmodern literature, Mir. Seriously, grad school is over, man.”)

“I’m supposed to be better than that,” Lesnar writes (through ghostwriter Paul Heyman) on the topic of his loss to Mir at UFC 81. “I handed this guy, who will never be half the man I am, a victory he didn’t deserve.”

Now see, that’s the kind of stuff that we can imagine coming out of Lesnar’s mouth pretty much word-for-word during whatever assumedly extensive interviews he conducted with Heyman to enable the former professional wrestling promoter to write this book. It also seems like Paul E. is pretty much following the celebrity autobiography script of starting with a dramatic dark moment that will hook the audience from the first line. That way you can build them back up for the triumph at the end, which we assume involves Lesnar battling back from diverticulitis to defeat Shane Carwin at UFC 116. Not to spoil it for you.

On the topic of his stomach ailment, the book provides a description we’re just as certain Lesnar did not come up with himself. It does sound pretty bad though, and is made all the more poignant since we know the big fella is going through it all over again right now. No wonder the dude couldn’t properly train for Junior dos Santos. Check out this description of the pain:

“It felt like I had taken a shotgun blast to the stomach,” Lesnar writes, “and then someone poured in some salt and Tabasco and stirred it all up with a nasty pitchfork.”

Yuck.

The excerpt further delves into Lesnar’s ill-fated trip to Canada, where it says he fell sick during a family vacation and things got so bad he had to be carried to the car by his brother. Dear God. Lesnar has a brother? And he can carry Brock? Well, shit, now we gotta read this.

For more Lesnar-fied goodness, we suggest you do yourself a favor and follow that link to the entire excerpt. Plus we like to think some eyebrows will be raised over at the Harper Collins IT department when they see a spike in their referrals from a site called CagePotato.com. Who knows, maybe they’ll even reach out to us and we can finally pitch that novel we’ve been working on for years: It’s a picaresque set in Argentina during the turbulent 1960s. A rebellious giant falls in love with a clubfooted woman and together they forge an unlikely … ah, forget it … you think it’s stupid. No, really, forget we said anything. We were just joking. Seriously guys, you couldn’t tell we were just joking? A novel? Come on, you know us better than that …