UFC 171: Bleacher Report Main Card Staff Predictions

For the first time in almost six years, the UFC will crown a new welterweight champion at UFC 171, with Johny Hendricks and Robbie Lawler facing off to determine who will succeed Georges St-Pierre.
In addition to the main event, we can look forward to …

For the first time in almost six years, the UFC will crown a new welterweight champion at UFC 171, with Johny Hendricks and Robbie Lawler facing off to determine who will succeed Georges St-Pierre.

In addition to the main event, we can look forward to witnessing Carlos Condit take on Tyron Woodley in a bout that is likely to determine the next No. 1 contender at 170 pounds. Also on the card are Diego Sanchez vs. Myles Jury and Jake Shields vs. Hector Lombard.

All in all, there’s plenty to look forward to.

As usual, the Bleacher Report main-card prediction team is on hand to guide you through Saturday night’s event. Read on for thoughts from Scott Harris, Riley Kontek, Sean Smith, Craig Amos and me, James MacDonald.

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Johny Hendricks, Robbie Lawler and the Best Knockout Artists in the UFC Today

What makes a knockout artist? KOs in mixed martial arts are 10 a penny, so lists such as these can’t be entirely result-based.
Consider Michael Bisping, if you will. The Brit is a terrific fighter and, statistically, ends the majority of his figh…

What makes a knockout artist? KOs in mixed martial arts are 10 a penny, so lists such as these can’t be entirely result-based.

Consider Michael Bisping, if you will. The Brit is a terrific fighter and, statistically, ends the majority of his fights via TKO/KO, yet it would be a stretch to label him a “knockout artist.”

When we talk about knockout artists, what we are really talking about is style. We aren’t talking about fighters who just win via KO; there has to be a level of artistry to the violence.

Read on for a rundown of the best knockout artists in the UFC today.

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Johny Hendricks, Robbie Lawler and the Best Knockout Artists in the UFC Today

What makes a knockout artist? KOs in mixed martial arts are 10 a penny, so lists such as these can’t be entirely result-based.
Consider Michael Bisping, if you will. The Brit is a terrific fighter and, statistically, ends the majority of his figh…

What makes a knockout artist? KOs in mixed martial arts are 10 a penny, so lists such as these can’t be entirely result-based.

Consider Michael Bisping, if you will. The Brit is a terrific fighter and, statistically, ends the majority of his fights via TKO/KO, yet it would be a stretch to label him a “knockout artist.”

When we talk about knockout artists, what we are really talking about is style. We aren’t talking about fighters who just win via KO; there has to be a level of artistry to the violence.

Read on for a rundown of the best knockout artists in the UFC today.

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MMA Psychology: The Psychology of Losing in Mixed Martial Arts

“Winning isn’t everything; it’s the only thing.”
The above quote, often attributed to the great Vince Lombardi, is a distillation of the competitive athlete’s major ethos. History is unkind to those who would accept second best….

“Winning isn’t everything; it’s the only thing.”

The above quote, often attributed to the great Vince Lombardi, is a distillation of the competitive athlete’s major ethos. History is unkind to those who would accept second best. Winners are celebrated; everyone else is mere scenery for someone else’s triumph.

Such pithy statements often endure, yet they generally fail to capture the underlying complexity of the issue at hand.

Winners are not created in a vacuum, after all. There are countless variables operating, most of which go unnoticed by the viewer. Of these factors, the value of losing is perhaps most often overlooked.

It’s not hard to understand why. For mixed martial artists not named “Bob Sapp,” losing isn’t a conscious choice. Fighters don’t enter the cage with the intention of lying down, even if there is occasionally more to be gained from a loss than a win. It is simply an inevitable consequence of competing at such a high level.

Winning and losing are generally viewed as zero-sum concepts, but this oversimplifies matters. Indeed, winning in the long run often entails first learning how to deal with losing.

“Pain is required to help increase the appetite to grow and to actually take action towards it,” says Dr. Michael Gervais, director of High Performance Psychology at DISC Sports and Spine Center. “Oftentimes, losing is painful, and because of that it can help sharpen the intensity and the learning curve and the appetite to learn.”

This association of pain with loss takes on a new dimension within the context of mixed martial arts. There is something exquisitely personal about losing a fight and having the experience play out in front of an audience of millions.

As Dr. Ted Butryn pointed out in a 2010 interview with Fight! Magazine, the dynamics of a fight are universally understood:

“If you’re a football lineman, the coach knows if you missed a block, but the world doesn’t know unless you really mess up. But when you’re out there by yourself in the cage, you’re naked. Everyone knows you got beat up. It’s obvious even to people who don’t know anything about the sport.”

One cannot compare the psychology of winning and losing a fight to any other sport. Losing a tennis match at the highest level undoubtedly hurts, but the physical and emotional toll it takes pales in comparison to that experienced by fighters.

“There’s an ancient tone to combat sports,” argues Dr. Gervais. “It is a test of a man’s hands and head, and that’s all that’s left in an environment where most people are looking to escape. These incredible modern day gladiators are embracing that moment and able to stand in an environment that most people shudder from. Because of that, the intimacy of the exposure, what most people are afraid of, which is looking bad publicly and real physical harm, these men and women are clearly engaging in a deeper level of competition.”

As has often been said, courage is not the absence of fear, but mastery of it. Despite engaging in a “deeper level of competition,” fear remains a part of every fighter’s mental makeup, yet its aversive quality is part of its utility. The desire to avoid public humiliation, negative social evaluation and real physical harm is motivation in and of itself.

“The greatest fear is not being good enough,” continues Dr. Gervais. “There is the fear of looking bad, the fear of social rejection. And in combat sports, there is also the fear of real danger. A combat athlete needs to be able to accept and embrace those elements and to refocus his mind toward the elements that are under his control, which is thinking clearly and moving freely.”

This fear is part of a psychological cycle that includes post-hoc justifications for losses. We have grown accustomed to fighters claiming to be in the best shape of their lives, only to say precisely the opposite if things don’t go according to plan on fight night.

Watching Tito Ortiz unfurl a figurative scroll of ailments at post-fight press conferences over the years became almost ritualistic. Such post-loss excuses are a wince-worthy fact of MMA, but they aren’t devoid of purpose.

There is a process of self-deception that occurs within many fighters who attempt to explain away losses with reference to imagined handicaps. While it isn’t necessarily a conscious process, self-deception functions as a defense mechanism.

“Some athletes have fragile self-esteem, their self-confidence is fragile and they tend to blame external events for a loss,” claims Dr. Gervais. “The strategy of crediting external variables for a loss has a particular function. And when used well, it can actually help save or keep intact a person’s self-esteem and their self-efficacy.”

One might reasonably ask how we can learn from mistakes if we don’t first acknowledge them. The truth is that we compartmentalize to protect ourselves from thoughts and opinions that are in conflict, which might produce feelings of cognitive dissonance. It is counterintuitive, but it is trivially common for one to comfortably hold contradictory beliefs. That being said, conscious denial of the facts is rarely a productive coping strategy.

“As long as [crediting external variables] does not cloud the athlete’s ability to objectively understand what took place, where the weaknesses and strengths are, then it’s fine,” Dr. Gervais argues. “But oftentimes blaming external events clouds the objective truth of what took place in the fight… At the center, what we want to be able to do is objectively take in the information. And when we can do it in an objective way, we can develop a future plan for progression.”

A person’s identity within the competitive arena is often tied to success. As a result, the fear of losing can stifle performance inside the cage every bit as much as it can aid it. The individual’s psychological makeup dictates how he responds to this pressure.

“If our self-worth is defined by the outcome or success in our sport, when we enter the cage that means 100 percent of our identity is at stake,” says Dr. Gervais. “And that’s too big of a risk to take, so the athlete tends to tighten up, rather than get into an ideal mind-set.”

With so much at stake for the athlete, many sports psychologists make the counterintuitive claim that it is a mistake to place too much emphasis on the outcome. Instead, the focus should be on controlling those elements that are within the athlete’s control.

“When the emphasis is placed at a very high level on the outcome and misses the importance of refining the process and refining the craft over time, a loss or a win can become skewed,” claims Dr. Gervais. “Another way of understanding it is that, when we work with athletes, what we want to do is be able to balance the importance of mastering the craft over time to put in perspective the value of a win and a loss.”

So is winning really all the matters, as Vince Lombardi claimed? The issue is far too complex to be reduced to a bumper sticker one-liner.

“For me, [the Lombardi quote] is missing the key focus towards mastering a craft,” says Dr. Gervais. “What our focus is always on is, let’s take the information that is provided to us, from a win or from a loss, and let’s have a high internal drive to learn and excel. That’s the arc of a master.”

James MacDonald is a freelance writer and featured columnist for Bleacher Report. All quotes obtained first hand unless otherwise noted. Follow James on Twitter.

Read more MMA news on BleacherReport.com

UFC 170: Why the Concept of “Intelligent Defense” Must Be Re-Evaluated

Another UFC event, another refereeing controversy. This recurring issue has become painfully predictable in recent times, with the unfortunate result of, once again, shifting our focus away from the fighters and onto the officials.
Last Saturday’…

Another UFC event, another refereeing controversy. This recurring issue has become painfully predictable in recent times, with the unfortunate result of, once again, shifting our focus away from the fighters and onto the officials.

Last Saturday’s UFC 170 main card showcased two extremes of the same problem, as Herb Dean blundered his way through the evening. As if to highlight his calamitous range, the ordinarily reliable Dean provided one wincingly late and one frustratingly early stoppage.

Despite their differences, the validity of both hinged on the elusory notion of “intelligent defense.” This concept has rapidly devolved into incoherence, so denuded of content as to be almost vacuous.

What does it actually mean to intelligently defend oneself within the context of mixed martial arts? Referees are fond of admonishing imperiled fighters to “show me something,” which usually prompts said fighter to perform an action that is almost entirely for the referee’s benefit.

Let’s take the main event of UFC 169 as an example—part of Herb Dean’s mensis horribilis. As Urijah Faber clung desperately to Renan Barao’s leg, still dizzy from the assault that had just taken place, Dean asked Faber to indicate that he was still engaged in the fight.

The challenger obliged, giving the thumbs up while gamely defending against a barrage of hammer-fists. Unfortunately, the referee’s vision was obscured by Barao’s leg, and the fight was prematurely called to a halt.

That Dean didn’t see the gesture isn’t the problem. The problem is that Faber was expected to respond to the request in the first place.

The expectation was that Faber would move or “improve his position,” despite the fact that he was already blocking most of Barao’s offense with his hands and arms. Shifting positions, or attempting to get to his feet, would have potentially left him open to some far more damaging strikes, since it would have necessitated using an arm that was already occupied in defense.

An even more egregious example of this occurred during a bout between Evan Tanner and Phil Baroni at UFC 48. Larry Landless, the referee for the contest, demanded a verbal response from Baroni, who had been mounted and was attempting to defend himself from an avalanche of punches.

Despite his dire circumstances, Baroni indicated that he was fine and wanted the fight to continue. In a moment of jaw-dropping slapstick, Landless mistook this for a verbal submission and promptly ended the fight.

Someone needs to explain to me how being forced to hold a conversation while mounted by a trained killer falls under the rubric of intelligent defense. Comments, emails and tweets are all welcome.

In what universe does it make sense to fracture the focus of a fighter who is doing everything in his power just to remain conscious? Does needlessly distracting a dazed competitor somehow aid fighter safety?

Now, let’s examine the end of UFC 170’s main event between Ronda Rousey and Sara McMann. Having dropped to her knees after absorbing a crippling shot to the liver, McMann instinctively clasped her midsection. Almost immediately, Dean stepped in to stop the fight, reasoning that McMann had left her head too exposed.

Not only was McMann given very little time to try and recover, but she was actually penalized for protecting the most vulnerable part of her body: The area that had been hurt. I would no more expect McMann to cover her head after a body shot than I would expect her to clutch her body after a head shot.

Many argue that stoppages, such as those from UFC 169 and UFC 170, are justified because the outcome is practically a foregone conclusion. Such myopic reasoning boggles the mind, particularly in light of contests like Cheick Kongo vs. Pat Barry, Travis Browne vs. Alistair Overeem, Frankie Edgar vs. Gray Maynard, etc.

Fighter safety should be paramount. However, it has become abundantly clear that the current conception of intelligent defense, as opaque as it is, has absolutely nothing to do with intelligent defense or fighter safety. The competitors are needlessly forced to perform actions that often exacerbate their circumstances.

The most important area of the sport is currently fraught with ambiguity. The sooner we can demystify fuzzy concepts like intelligent defense, the sooner we can celebrate the positive aspects of MMA, rather than continually lament its shortcomings.

Read more MMA news on BleacherReport.com

Rashad Evans and the Most Injury-Prone Fighters in the UFC Right Now

When news recently broke on ESPN that Rashad Evans had pulled out of his UFC 170 bout with Daniel Cormier, expressions of surprise within the MMA community were rarer than unicorn sightings.
Injuries are now as much a part of the sport as punching…

When news recently broke on ESPN that Rashad Evans had pulled out of his UFC 170 bout with Daniel Cormier, expressions of surprise within the MMA community were rarer than unicorn sightings.

Injuries are now as much a part of the sport as punching and kicking. Fight announcements are less a promise than a tentative hope.

Some fighters are less reliable than others when it comes to showing up on fight night, of course. These individuals have gained a reputation—often through no fault of their own—for having all the robustness of candy glass.

Read on for a countdown of the UFC’s most injury-prone fighters.

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