Coaches on The Ultimate Fighter 18, Ronda Rousey and Miesha Tate are finally set to settle their differences inside the Octagon at UFC 168.
Since dethroning Tate under the Strikeforce banner in March 2012, Rousey has been the driving force behind …
Coaches on The Ultimate Fighter 18, Ronda Rousey and Miesha Tate are finally set to settle their differences inside the Octagon at UFC 168.
Since dethroning Tate under the Strikeforce banner in March 2012, Rousey has been the driving force behind women’s MMA. She’s been labeled the sole reason females now compete inside the Octagon by UFC president Dana White and will now look to defend her UFC belt against her biggest rival.
Tate lucked into this opportunity. Following a loss to Cat Zingano in April, it appeared the former Strikeforce champion was multiple wins away from earning a rematch with Rousey. Instead, Zingano was injured and replaced with Tate, setting up the biggest fight the UFC could make right now in the women’s 135-pound class.
As Rousey and Tate prepare to go at it again, it’s time to take a closer look at how the two match up. Here is a closer look at where both fighters hold advantages.
As a writer who has made a career out of doing interviews and features, I have come to learn that timing means everything. When fighters are locked in the repetitive media grind of fight week or in the middle of cutting weight, there are times when ge…
As a writer who has made a career out of doing interviews and features, I have come to learn that timing means everything. When fighters are locked in the repetitive media grind of fight week or in the middle of cutting weight, there are times when getting through a basic pre-fight interview can be a grueling affair for both parties involved.
Unfortunately, with the hectic schedule of recent years, sometimes those chaotic, fading moments surrounding fight week are the only windows of opportunity to get the quotes you need for a story.
Before the interview ever takes place, you know the fighter you are about to speak with has been asked a variation of the same 10 questions over and over and is heading into your phone call dreading to hear those questions asked one more time save for a different voice on the line. Out of this scenario, the “Atypical Pre-Fight Interview” was born.
As writers, we understand the reality of this situation, but the pre-fight interview is a necessary evil, and that is why the fighters involved sit through a storm of them. But every person involved in the process approaches the situation differently, and when a unique scenario opens up, a beautiful dance into the obscure can be had.
In this regard, there is no better dance partner than Josh Barnett. The former UFC heavyweight champion and lover of all things metal is a master of his domain under the spotlight. “The Warmaster” can melt a microphone on cue and marches to the beat of his own drum—his own double-kick, rapid-fire bass drum.
In an era where mixed martial arts has moved to a realm of athletic competition, the savvy veteran celebrates the gritty nature of the fight. Where most intend to give the fans in attendance a tussle worth remembering, Barnett sees an area of frenzied, battle-hungry minions who are there to be entertained in the storied ways of the gladiator.
With that in mind, how could a typical run-of-the-mill interview suffice? The only way to go forward into the fray with the man formerly recognized as “The Baby-Faced Assassin” is to pull out the Death Angel shirt, punch a hole in the drywall and dive in. This process produced magic on our last go around, and here is what transpired in the latest installment.
After years waging war in foreign lands, you finally made your return to the UFC in 2013 where you defeated Frank Mir at UFC 164 in Milwaukee. It was an impressive performance, and you are heading into another big fight against Travis Browne at UFC 168. Has this been an ideal year for you in terms of career progression?
I think it’s been pretty good. I worked on my first movie and won a couple of fights…that’s never a bad thing. Anytime you get paid to go out there, punch somebody’s lights out and make some money doing so, it’s a good time and something worth putting a gold star on the calendar for. The best part about it is that it’s not even over yet. Who knows what could happen?
For your last fight, you had a variation of the hawk working in the hair department and an above average beard game. Do you feel those elements help you obtain your full warrior mystique rolling heading into this next fight?
I’m adding a loin clothe, chain mail, a gauntlet, bracers and a helmet. I don’t know how the NSAC is going to feel about that, but I can’t stand not bringing my battle axe to the ring.
In our previous interview, you voice some concern about the post-fight aftermath with Mir. You said you were worried the Sirens in the stands would attempt to lure your crotch to its doom. While you are undoubtedly here talking with me today, I’m curious how you survived and navigated the road beyond Milwaukee.
I was absolutely successful in that regard. My genitalia is yet to fall off, and I was able to avoid their clutches once more. The harpies are always just around the corner, and last time, I narrowly escaped. They always hover overhead, and I must have been just out of distance.
Your next challenge will come against Travis Browne—a fighter who has been one of the heavyweight division’s most touted prospects. What is your thoughts on this matchup with the rangy Hawaiian striker?
I hope he’s not ready. That would be really unfortunate.
Throughout your career—and definitely in your bout with Mir—you’ve shown that you aren’t willing to wait around for the action to happen. You come out and get right to it, charging across the cage and imposing your will. Browne is a fighter who uses his length very well and has found a lot of success working at a distance. Is closing that distance and taking away those weapons how the job gets done at UFC 168?
I’m going to use the same philosophy in that last fight against Mir and imagine his head is a giant maple bar and just go after it. I mean…I wouldn’t let a doughnut run from me for nothing.
There is a lot of talk of the winner of this fight being in line for a potential title shot. You’ve been there and done that in that regard, but I have to think the thought of a title opportunity has to be appealing to you. Granted, I could be wrong, but at this point of your career, are those elements of the game appealing to you? Or is every fight just another fight and whatever comes after just an added bonus?
You know…at this point, I’m just over all the titles, bobbles and trappings of ceremony and such. Honestly, at a very young age, I was already crowned the “Burger King,” and they gave me the jeweled crown of gold. Granted, it was cardboard but still gold colored. Ever since then, it’s really been more difficult to deal with the common folk in a way that isn’t so removed. But at this point in my life, I’ve been exposed to countless jewels and riches, and you just get bored of it.
So, if I understand this correctly, defeating Browne will just add one more skull to the pile the throne sits on and be one more time into the fray? Is that how it works?
That is absolutely how it works. My table is actually uneven, and I need something to balance it out properly.
Duane Finley is a featured columnist for Bleacher Report. All quotes are obtained firsthand unless noted otherwise.
UFC women’s bantamweight champion Ronda Rousey hopes to finally end her rivalry with former Strikeforce titleholder Miesha Tate on Saturday, but that doesn’t mean she’s had any problem hyping the fight.
Speaking to Jim Rome on CBS Sports Radio on…
UFC women’s bantamweight champion Ronda Rousey hopes to finally end her rivalry with former Strikeforce titleholder Miesha Tate on Saturday, but that doesn’t mean she’s had any problem hyping the fight.
Speaking to Jim Rome on CBS Sports Radio on Thursday, “Rowdy” said outright that Tate’s physical attributes and their hatred for one another earned him another shot at championship gold, as opposed to her fight resume, per MMA Mania:
Miesha has a nice ass and she has an ongoing rivalry with me and that’s the only reason she was picked for this fight. The rivalry is why she is even around. It’s not because of her athletic merit. She really has to play that part of it up (rivalry) because that’s all she really has. She has to make it personal because you can’t make it an athletic rivalry because there really is no comparison. I’m an Olympic athlete and she’s a high school wrestler.
To the champ’s point, Tate is just 1-2 in her past three bouts and is actually coming off a loss to Cat Zingano at The Ultimate Fighter Season 17 Finale in April.
In fairness, though, Tate was a last-minute replacement to coach opposite of Rousey on Season 18 of TUF, the first season of the reality series to feature both male and female competitors.
The first time the two women met inside the cage for the Strikeforce women’s bantamweight title in March 2012, Rousey secured her patented first-round armbar to capture her first major MMA title.
The 26-year-old enters the grudge rematch with her perfect record (7-0) intact, never seeing the second round thus far.
Will Rousey continue her reign of dominance at UFC 168, which takes place at the MGM Grand Garden Arena in Las Vegas, Nevada, on Saturday, or will Tate pull off a stunning upset and extend their feud?
John Heinis is a Featured Columnist for Bleacher Report. He is also the MMA Editor for eDraft.com.
This is the second in a two-part series on Josh Barnett. Please check out the first part here.
The main theme that you will have noticed in our discussion of escapes in Part 1 is that Barnett does not waste time mucking around on the bottom if he doesn…
The main theme that you will have noticed in our discussion of escapes in Part 1 is that Barnett does not waste time mucking around on the bottom if he doesn’t have to.
BJ Penn was the first to point to the three objectives of the man on the bottom: submit, sweep or stand up. Too often we see the best jiu-jitsu players in MMA focus almost entirely on the first two ideas and forget about the third.
Often the act of following the bottom player up to the feet will cause the top player to expose openings. Both Pablo Popovitch and Marcus “Buchecha” Almeida succeeded in using a simple technical stand up to create a neat turnover at ADCC 2013 in Beijing.
Here, Roberto “Cyborg” Abreu is in the guard of Buchecha. Almeida creates space and then performs a simple technical stand up. As Cyborg follows him up, Buchecha catches Cyborg’s back leg and attempts a simple knee tilt to turn Cyborg over. Cyborg drops Buchecha‘s leg, but Buchecha switches to a single-leg takedown and lands on top.
And here it is again in super slow motion courtesy of the super inspiring ADCC 2013 highlight from the brilliant Stuart Cooper:
Getting back to the feet is a huge part of the ground game in mixed martial arts. No matter how good a fighter is off his back, it is unlikely to be enough to offset how much it sucks to get hit with gravity working against him.
Plus, holding a fighter down if he is repeatedly getting up is hard work—just look at Cain Velasquez vs. Brock Lesnar. Barnett, who was influenced by catch wrestling legend Billy Robinson, is exceptionally good at getting to his base position and standing from there.
It is similar to turtle position in jiu-jitsu, in that one is posted on four points belly down. The difference is that while the turtle is held tight with the elbows on the mat, the wrestler’s base is on the knees and hands. The reasoning for the closed nature of the turtle in Brazilian jiu-jitsu is to defend oneself from the opponent throwing in his hooks and taking the back.
In the wrestler’s base—as used by Billy Robinson’s students, notably KazushiSakuraba—the intention is to return to the feet. Here’s the great Billy Robinson talking through it himself:
Now a more traditional jiu-jitsu approach from the turtle would be to Gramby roll back to guard, as Matt Serra famously did against Georges St-Pierre. The catch wrestling tradition is more about getting to base position and then separating the wrists and standing up. This stems from wrestling rules, wherein one can lose by pin, so what would be the point of rolling to guard and placing your shoulders on the mat?
As the top player tries to keep his opponent on the mat, he can expose himself to switches or Robinson and Sakuraba‘s most famous technique: the double wrist lock.
Sakuraba‘s match against Kevin Randleman demonstrated how attempting to keep Sakuraba down allowed him to attack with his kimura. Each time Randleman attempted to break Sakuraba down into a turtle position, Sakuraba got back up onto his hands and worked to separate Randleman‘s hands.
Now, here’s Josh Barnett countering an underpass from Antonio Rodrigo Nogueira. He rolls to turtle, gets to his base, pops a leg up and returns to his feet. As Nogueira fights to keep Barnett on the mat, Barnett is able to work for a kimura.
The double wrist lock, a term used interchangeably with kimura and gyakuude-garami, is a staple of the catch wrestling arsenal and a technique that Barnett has had success with. He has submitted Mighty Mo, Mark Hunt and John Marsh with it, and he has threatened it in combination a great many more times.
A brilliant example is the final sequence from Barnett’s first fight with Nogueira. Barnett lands in Nogueira’s half guard and threatens the kimura rather than looking to force a pass. Jeff Monson, Paulo Filho and many other strong top players have used the threat of the kimura to improve the effectiveness of their half-guard passing game.
Nogueira rushes to move to his deep half guard, but Barnett underhooks the Brazilian’s leg with his right arm, clears Big Nog’s head with his left and moves for a kneebar.
Leglocks are a staple of Barnett’s game, and it’s hard to think of a heavyweight who uses them better. As Nogueira attempted to come up on top of Barnett, he allowed the wrestler to straighten the leg and was saved by the bell from a submission.
Barnett on the Feet
Barnett is not an elite striker, but as heavyweights go, he is good enough on the feet to hold his own with most of the division. Having been trained by Erik Paulson, a pioneer in MMA and a man who consistently comes up with interesting ideas, Barnett has a good deal of interesting techniques on the feet.
Something that you will see in almost all of his fights is his attempt at a skipping right hand. That is when he uses a parry or hand trap with the right hand, and then he proceeds, as if skipping a stone, into a punch with the same hand.
Above is the late Archie Moore, a walking textbook on boxing technique, showing the same technique in more of an offensive capacity.
Barnett has never been a brilliant striker; he’s more of a smart one who hits hard. That being said, he has shown enormous improvement since the days when Alexander Emelianenko and Pedro Rizzo made him look clueless on the feet. He avenged his loss to Rizzo by knocking him out in 2008, whatever that’s worth. But more importantly, he now shows a more confident and intelligent approach to striking.
In the Cormier bout, Barnett repeatedly returned to an old-school elbow block, attempting to catch blows on the points of his elbows. When this works, it can be a nightmare for an opponent and discourage power punching. Notice how close Cormier comes to a broken hand on the left hook.
Barnett projecting his elbow like this also gave him a good chance of Cormier running onto an elbow strike if he attempted to dive into a clinch. Here, Barnett slips inside and uses this elbow to keep space before landing a nice low kick:
Projecting the elbow like this can also leave the right temple exposed to a left hook, especially if the opponent can hook off the jab as Cormier can.
What is more important than form and technique, though, is that Barnett can recognize what is working and what isn’t. He tries his best to get his favourite techniques going, but he isn’t stubborn or pigheaded enough to ignore things that are working better.
For instance, in his bout against Cormier, Barnett recognized early that his knee strikes to the body were affecting his opponent, and he found numerous ways of attempting to land them.
My favourite attempt was this switch knee as Cormier came in. That’s not something you see the biggest men in the heavyweight division do often.
Barnett’s most recent bout against Frank Mir might well be his most impressive performance to date. Understanding that Mir’s wrestling is not his strong suit and having seen Shane Carwin abuse Mir along the fence, Barnett knew what he had to do. Pushing Mir onto the fence, he abused the former UFC champion and stopped him with a hard knee to the dome inside the first round.
Proving that he can take a technical approach to almost any area of the fight game, Barnett put together some of the most fluid clinch boxing work I’ve ever seen. Take for instance this grip-changing flurry, when he went into an angled left hook followed by a chasing left hook to keep Mir on the fence.
That would raise an eyebrow from Randy Couture or Cain Velasquez.
Barnett even found a chance to use the Jack Johnson uppercut, an uppercut thrown across the body so that it can be used with full hip rotation extremely close in. Just beautiful stuff.
There’s a ton to talk about when it comes to Barnett, as we haven’t even looked at his murderous mount and signature arm triangle or the decent kicks and elbows he’s showed more recently.
When he steps into the ring with the exciting, dynamic and durable Travis Browne on Saturday, pretty much anything can happen at UFC 168, but it has the potential to be a cracking bout.
Pick up Jack’s eBooks Advanced Striking and Elementary Striking from his blog, Fights Gone By.
This is part one of a two-part series on Josh Barnett. The second part can be found here.
There are plenty of divisive figures in the heavyweight division. Alistair Overeem looks better than everyone he fights, then throws away matches through ar…
There are plenty of divisive figures in the heavyweight division. Alistair Overeem looks better than everyone he fights, then throws away matches through arrogance. Antonio ‘Bigfoot’ Silva won everyone over with a fight of the year performance, then got popped in the post-fight drug tests. But nobody in that division has quite the history that Josh Barnett does with performance enhancing drugs.
Now I don’t want to get into performance enhancing drugs talk too much. But if Nick Diaz can pass drug tests most of the time and be as avid a marijuana user and advocate as he is, you can quickly come to the conclusion that it’s not too hard to hide a banned substance if you know what you’re doing. Plenty of fighters are on PEDs, most of them don’t get caught, and frankly there’s a good case for turning a blind eye to it.
What we’re really here to talk about, however, is the phenomenal, dynamic and unique game of mixed martial arts’ premier catch wrestler, Josh Barnett.
Catch Wrestling versus Jiu Jitsu
Now when we’re talking tendencies, it’s important to note that nothing is absolute in the fighting business. It is very easy for me to say “jiu jitsu guys tend to excel at passing the guard and using the guard, but they don’t have the best takedowns“. Ricardo Arona was a Brazilian Jiu Jitsu phenomenon, and took down anyone he wanted, wrestler or not, at will through his ADCC run. As another example, RambaaSomdet is a Muay Thai world champion who transfered to MMAvery late into his combat sports career, only to develop one of the most inventive guard games in the business.
Stylistic tendencies are just that: tendencies, not absolute rules as to what a fighter can do. People are people and styles are just the gateway which got them into the martial arts business.
With that being said, the competitive focus of an art will affect its emphases. Wrestlers don’t train the guard generally (or the double body scissors as it’s called in old wrestling manuals) because it is essentially a pinned position. Jiu Jitsu players can pull guard, and many roll from the knees in the academy, so takedowns don’t always get trained so much.
Guys who spend a good amount of time training wrestling then transfer to the ground game or mixed martial arts tend to not be as good in the guard as the guys who start playing guard from day one. Josh Barnett is a brilliant example of this.
That is not to say that he is bad in bottom position but that he does not play the guard like other great grapplers in the heavyweight division can. One of Barnett’s great strengths, and this is something which you will see in wrestling a lot because of its roots and emphasis on takedowns, turnovers and pins, is in getting out of bottom position, not chilling out there and looking for submissions or sweeps.
The Elbow Escape
One escape which Barnett uses particularly well from his back is to place a hand behind his opponent’s triceps, generate some momentum by swinging his legs up and dropping them, or by bridging, then exploding out.
My description of that was pretty ham-fisted, and I am certainly not the guy to get your grappling knowledge from, but here’s a GIF from his fight with Jeff Monson.
Any time a fighter can get the arm which his opponent would normally be using to crossface across to the other side of his body, the man on the bottom can create space to turn away and either shrimp back to guard or come up to the knees.
Here is the great Marcelo Garcia demonstrating it. Of course it is a good deal harder without the gi for friction or as a handle.
The fight with Monson was pretty largely panned by MMA journalists, partly because it seemed like Barnett wasting yet another match of his incredible career potential in not fighting an elite heavyweight. But as Monson and Barnett are both ground fighters with a wrestling base, it provided some interesting moments. Both men used the guard simply for kicking away and looking to come up on a single, which is something you don’t see that often.
This same elbow escape has helped Barnett to get out of bad spots against some very dangerous fighters. Against Daniel Cormier, Barnett controlled the triceps to hinder DC’s attempts to elbow him, then attempted to make space through the elbow escape several times.
Failing to achieve this end, Barnett attempted one more time to stiff arm the triceps, before turning back in and coming up to his knees. Where many Brazilian Jiu Jitsu players will try to sit through to the half guard when they come up to their knees, Barnett worked his way up to the feet and broke away.
Similarly Barnett was able to get out from underneath the great Antonio Rodrigo Nogueira, as the latter attempted to pass from half guard to side control, by using a similar technique. Exploding out to his feet, Barnett picked up a tight guillotine, something he threatened several times through his two excellent matches with Nogueira.
Barnett was also able to use a nice bridge to escape from the underside of Nogueira’s considerably dangerous mount. A basic escape no doubt, but to get away with it against a grappler of Nogueira’s caliber is certainly worthy of applause.
Ronda Rousey and Miesha Tate aren’t going to be exchanging presents this holiday season. Instead, they will be exchanging punches at UFC 168.
The female bantamweights have been engaged in one of MMA’s bigger rivalries over recent years, dating back to …
Ronda Rousey and Miesha Tate aren’t going to be exchanging presents this holiday season. Instead, they will be exchanging punches at UFC 168.
The female bantamweights have been engaged in one of MMA‘s bigger rivalries over recent years, dating back to their first meeting under the Strikeforce banner. Looking to capitalize on their disdain for one another, the UFC has released a UFC 168 promo spoofing Rousey and Tate as starring actresses in a fictional movie titled Best Friends.
In the above video, some of the more frictional moments between Rousey and Tate are showcased to boost interest in their championship belt to be contested on December 28 in Las Vegas.
While Rousey and Tate are two of the best fighters in the women’s bantamweight division, conflict is the main reason they are meeting again. In her latest outing, Tate was beaten by Cat Zingano, who was then booked to coach opposite Rousey on The Ultimate Fighter 18. When Zingano suffered a knee injury, the UFC couldn’t pass up on an opportunity to replace her with Tate, setting up a heated rematch against Rousey.
As Rousey explained on The Jim Rome Show, “Miesha has a nice ass and she has an ongoing rivalry with me and that’€™s the only reason why she’€™s in this fight.”
When both fighters step into the Octagon for the co-main event at UFC 168, Tate will have a chance to prove she’s more than an attractive antagonist. Although she’s coming off of a loss, Tate is still a former Strikeforce champion and one of the best female fighters in the world.