Why MMA Is Becoming More Appealing Than Boxing, Purely from a Fan Perspective

Like many fight fans, I fell in love with boxing fan from an early age, and became progressively intrigued by the scintillating lure of arguably the purest sport on earth, which involved two men enclosed in a ring vis-à-vis, with a view to ultim…

Like many fight fans, I fell in love with boxing fan from an early age, and became progressively intrigued by the scintillating lure of arguably the purest sport on earth, which involved two men enclosed in a ring vis-à-vis, with a view to ultimately disconnecting his adversary from consciousness, thereby determining the better individual combatant. Isn’t this, after all, the very essence of all sport, the veritable embodiment of competition?

Then along came MMA and the UFC, which assured us that this is “as real as it gets”. Inspired by “Vale Tudo” tournaments in Brazil, the UFC and the sport of MMA have roots in the ancient Olympic combat sport of Pankration in 648 BC”. Indeed, the UFC showcased fighters of multiple disciplines in order to identify the most effective martial art in a real fight. Could anyone dispute that this was the purest form of existing combat, replicating true-to-life NHB combat scenarios? (ok, aside from the fact that most belligerent men in bars don’t wear spandex nuthuggers).

I believe that my route into MMA fandom is a rather conventional one, paralleled by a vast number of my contemporaries that pertain to the “MMA Community”. Of course there are those for whom boxing and MMA will forever prove mutually exclusive, to be adjudged in isolation, with those people liable to perceive my endeavour to compare and contrast the sports as sacrilege.

It is generally anti-MMA boxing fans that express such a grievance since this cohort invariably constitutes combat sports’ version of a “snob”, whist conversely MMA fans tend to simultaneously display an admiration for its pugilistic predecessor. This is neatly epitomised by spearheads of both sports, Bob Arum, Bert Sugar, Dana White and Lorenzo Fertitta. Bob and Bert openly confess their distaste for the sport of MMA (though they harbour a respect for the majestic marketing of the UFC), whilst Dana and Lorenzo are self-professed boxing enthusiasts (Dana in fact instructed boxing before encountering MMA) who believe that both sports may coexist harmoniously.

For others boxing and MMA may be inextricably linked, falling under the bracket of “combat sports”. Many, like myself, will have been introduced to/encountered one sport through the other, having been enticed into MMA as a natural progression to an initial appreciation of boxing or vice-versa.

          I would now like to return to the initial title and enumerate the multiple elements which have contributed to cultivating a sport in MMA that in my humble opinion is better to, and for, the fans than boxing. And, just to qualify this assertion, I am not contesting which sport is better per se (as this is wholly/holy subjective), nor am I arguing which sport is more popular (After all, the 16,412 fans that packed Las Vegas’ MGM Grand Garden Arena for Pacquiao vs Mosley is nearly 1,600 more enthusiasts than the UFC has ever drawn to the same venue), but rather which is better to and for the fans, hence purely from an objective fan perspective.

follow me on Twitter @jonathanshrager

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Jon Jones: 10 Things You Need to Know…and the Resulting Questions

Not even superheroes stand a chance. Jonny “Bones” Jones’ rapid rise to UFC greatness and superstardom has even surpassed the oft-utilised adjective “meteoric.” He made his full professional MMA debut in April 2008 and just shy of…

Not even superheroes stand a chance.

Jonny “Bones” Jones’ rapid rise to UFC greatness and superstardom has even surpassed the oft-utilised adjective “meteoric.”

He made his full professional MMA debut in April 2008 and just shy of three years later, he annihilated, and to a certain extent humiliated, former Pride legend Shogun Rua to reign atop the two-buck five division.

During that three-year period he effectively remained undefeated in his MMA career, with the exception of his disqualification loss to Matt Hamill, universally-recognised as a comfortable victory for the New York native.

Despite his wrestling credentials, he actively trained in MMA for a mere three months before his first outing in the cage—which renders his accomplishments thus far startling, and does not bode well for his prospective adversaries (bearing in mind that he remains very much a work in progress).

Jones fondly recalls that his introduction to the sport, over which he now presides, was simply viewing Anderson Silva YouTube footage and endeavouring to emulate the movements and techniques.

Three-and-a-half-years later the two shared a stage in Toronto, along with the five other UFC champions. It’s a phenomenal odyssey.

Is there anyone who can keep up with the Joneses? Or rephrased, do you think there is anybody at LHW that can realistically challenge JBJ and pose a threat to his ascendancy to the pinnacle of the p4p list?

Follow me on Twitter @jonathanshrager

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MMA History: The 5 Quickest and Most Amusing Knockouts to Date

Good night Vienna (or Vie-mma). Apologies, I’m a sucker for wordplay
There is something eminently enchanting about the combat sport phenomenon that is the much-vaunted knockout. It is a wonder to behold, a sight to savour. It carries with it…

Good night Vienna (or Vie-mma). Apologies, I’m a sucker for wordplay

There is something eminently enchanting about the combat sport phenomenon that is the much-vaunted knockout. It is a wonder to behold, a sight to savour. It carries with it an undisputable finality which a decision win, TKO and submission simply do not.

With a decision, fighters and fans alike are left to subjectively determine whether the bout has been adjudicated accurately and consequently whether the correct combatant has prevailed.

With a TKO, a fighter may fervently contend that the referee had prematurely intervened, that he was still sufficiently compos mentis to continue.

With a submission, the fighter is invariably—unless the casualty has been rendered unconscious via choke, or a victim’s limb has been snapped—capable of regaining his feet unaided, furiously shaking his head at having been caught in a submission hold that he has probably drilled eschewing or escaping one thousand times over during training camp.

However, when a mixed martial artist has disconnected a fellow fighter from consciousness, there remain very few questions that need to be addressed. It is indeed the most conclusive conclusion to an octagon battle, with the unfortunate fighter ordinarily necessitating a period of time to regain his faculties and wits.

Whilst far from constituting a damp squid, such contests just leave one craving a tad more action, the fireworks having precipitately been set off. In the blink of an eye, and before Goldie can even utter “it is all over”, it is actually all over. Mauro Ranallo perfectly encapsulates the situation “this one is over before it even begins”.

And some fighters may even lament their lack of cage time, especially newcomers like Duffee, or those having returned from a prolonged injury layoff, having essentially trained intensively between 8 to 12 weeks for a transient moment lasting literally a number of seconds. Milliseconds are actually required to distinguish between some of the top ten KOs of all-time, though it’s probably the easiest paycheque these fighters will ever earn. In no other sport (aside from other combat sports including boxing) may a victor be determined so quickly.

So enjoy the slideshow, don’t dare blink, and knock yourself out (don’t take me literally of course).

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Burning Question: Will Wrestling Forever Be the UFC’s Dominant Mixed Martial Art

It’s difficult to refute the fact that wrestling has become the hegemonic entity of mixed martial arts. Those involved directly in the sport, including athletes and analysts alike, recognise this undeniable truism. Brock Lesnar recently declared …

It’s difficult to refute the fact that wrestling has become the hegemonic entity of mixed martial arts. Those involved directly in the sport, including athletes and analysts alike, recognise this undeniable truism. Brock Lesnar recently declared that “To be able to take a fight wherever you want is very powerful in this sport. I just look across the board and I see wrestlers starting to take this sport to another level”. This was a sentiment reiterated by the South Dakota behemoth, having witnessed his last-choice pick (a German stand-up fighter) get completely outwrestled by a decorated American wrestler in Episode 1 of TUF 13. In other words, Wrestling 101. Sound familiar? Innumerable instances spring to mind. In fact conjuring up the moniker of one great alone, “the Natural”, on how many occasions can you recall a fight in which Randy Couture has utilised his stifling tactics (namely “Wall and Stall” and “Lay and Pray”) to grind out a decision victory over sometimes more talented foes?

Joe Rogan, iconic cage-side colour commentator has also attested to the importance of wrestling. He pointed out that wrestling is the optimal base discipline at which to become proficient, and thereafter the other skills may be accumulated on top of this fundamental platform. So, has wrestling become the holy grail of the holy trinity (wrestling, kickboxing, BJJ)? If, as Jon Jones articulated during his much-documented appearance on Jay Leno, the purpose of mixed martial arts is to ascertain the most powerful realm of combat, then can’t we confirm with a degree of certainty that wrestling is currently the most dominant martial art?

At present as I scribe these musings, it would be extremely myopic to dismiss the sport’s strong wrestling trend; 5 of the 7 existing UFC champions (Cruz, Edgar, GSP, Jones, Velasquez) have wrestling backgrounds, whilst 6 of the 7 current no.1 contenders (Faber, Maynard, Shields, Sonnen, Rashad, Lesnar) would affirm that wrestling is their base. These statistics serve to underscore this specific “art’s” supremacy within the sport’s elite organisation. The champions that lack a wrestling background comprise two of the sport’s phenomenons (Aldo, Silva- whose only real challenge of late has arrived against the inimitable wrestling juggernaut Chael Sonnen-), freakishly talented athletes that are very much an exception to the rule. Not only is wrestling indispensable at the upper echelon of the sport, but also for budding prospects, as borne out by the fact that half of 18 previous TUF winners and runners up have entered the competition with a pure wrestling background. The patent conclusion would evidently be that wrestling is progressively becoming a pre-requisite component of the blueprint for success in mixed martial arts.

Brock Lesnar perhaps best epitomises the clout of the “noble art”. A standout wrestler as both an amateur and a professional, Lesnar made the transition from the WWE to the UFC and his wrestling skills seamlessly translated into MMA, with Lesnar rapidly becoming the Heavyweight champion within a mere/Mir (mind the double entendre) 3 fights. Whether you choose to ascribe this phenomenon to the values inculcated by wrestling during one’s youth (such as discipline and determination) or the blatant physical attributes instilled by the sport (which spawns the most impressive physical specimens), it would appear that the leverage exerted by wrestling cannot be denied.

Those closest to the sport also underline that MMA is de facto increasingly tailored towards collegiate and/or Olympic wrestlers, a sport in which Americans traditionally excel. The highly-respected Pat Militech recently pointed out that legalising elbows on the ground (part of the unified rules that has now been introduced into Strikeforce following the Zuffa takeover) strongly favours wrestlers. In keeping with this vein of thought, Nick Diaz, during one of his notorious invectives delivered to Ariel Helwani, emphasized that modern-day cage-fighting is “geared up towards wrestlers, unlike back in Pride where there were more technical martial artists”. Of course the spiritual home of martial arts has been relocated from Japan to North America, and maybe a cynic would deign to suggest that the rules have been moulded to benefit the participants that emanate from the new hub of mixed martial arts. After all, the British have always had boxing, the Dutch kick-boxing, Thais Muay-Thai, Brazilians Jiu-Jitsu, Chinese Kung-fu, Japanese Judo, Korean Taekwondo, Russian Sambo, so following logic Americans would want to own and dominate a martial art, which coincidentally is proving to be the governing component of MMA.

As an MMA enthusiast from the UK, it particularly disconcerts me that a Brit may never reign supreme at the pinnacle of a UFC weight division unless certain dramatic changes occur, including the introduction of wrestling into our school system by secondary school level at the very latest (in the US kids commence wrestling in primary school), so that it becomes an immanent part of British sporting activity. In the likely event that this does NOT materialise (unfortunately the negative stigma that remains attached to MMA by the mainstream renders it highly improbable that schools will incorporate wrestling with the ultimate objective of enhancing our pedigree in the UFC), Brits that want to pursue a career in MMA seemingly possess only a small number of options; relocate permanently/temporarily to the US from as early an age as possible, though this entails numerous inherent financial (not to mention logistical Visa) complications, or procure the assistance of wrestling coaches in the UK.

Given that some Americans may possess a decade’s worth more experience in the area of college wrestling (one could also contend that a sport is easier to absorb during one’s formative years), it will always prove nigh on impossible for a Brit (even with intensive coaching) to acquire a level of wrestling tantamount to that of an NCAA All-American goliath. Consequently, at the very least, a Brit is compelled to attain a level of skill in the field that will assist in nullifying the wrestling credentials of his adversary in the cage. I am of course alluding to Take Down defence. The inability of both Dan Hardy and Paul Daley to stuff a TD prevented them from obtaining, and being provided an opportunity to vie for, the Welterweight championship belt respectively. It is that simple. Both GSP and Josh Koscheck realised this would likely be the case, and they exploited it ruthlessly. GSP (who embodies this notion that wrestling is required to become TTP in MMA) even explicitly stated that this would constitute his game plan, yet Hardy remained powerless to negate it. It appears, therefore, that Brits have at times entirely neglected this facet of the sport.

          Whilst Chuck Lidell’s legendary capacity to “Sprawl and Brawl” invariably enabled the “Iceman” to retain the fight in his domain, wrestlers are typically persistent, and will thus persevere in their attempts to transition the fight to the ground, rendering a portion of time on the mat a sheer inevitability (also, it is oft-overlooked that Chuck himself had gained invaluable experience in wrestling at university). For British martial artists, with only a rudimentary grasp of wrestling, coupled with the increasing calibre possessed by the influx of world class wrestlers into the UFC, the future of UK cage-fighters in the UFC looks uncertain unless wrestling (or the lack thereof) is imminently tackled.

          Another mode (commonly construed as a Plan B) in which to countervail strong wrestling would be to drastically develop one’s grasp of BJJ grappling or submission wrestling, so as to ensure that you could prove effective whilst on the ground in addition to potentially deterring an opponent from taking the fight to the mat. However, whilst Hardy may be congratulated for the marked improvement in his BJJ game within a sole year between fights with GSP and Anthony Johnson (evidenced by the fact that he progressed from exclusively defending submission attempts to proactively seeking them), “Rumble” was still able to largely dominate the grappling from top position, and this is characteristic of most wrestlers nowadays when they assume the top position against a BJJ practitioner (see Davis-Nogueira, in which an elite wrestler was comfortably able to out-grapple a black-belt BJJ specialist without being seriously threatened by a single submission attempt). Indeed, the wrestler-BJJ dynamic has altered considerably since the sport’s inception nearly two decades past. Originally, as substantiated by Royce Gracie’s victories at UFC 1, 2 and 4 tournaments, BJJ proved the superior martial art. A large portion of its success was due to the mere fact that it was a relatively unknown art-form, yet once fighters became familiar with BJJ, it struggled to retain its mystique and effectiveness. As perfectly encapsulated by the king of contradiction Nick Diaz; “Nowadays everybody’s a BJJ guy even if they ain’t”. Ultimately BJJ was supplanted by wrestling, and hitherto those martial artists with a non-wrestling background are still endeavouring to concoct the most expedient antidote.

It has been posited that some genus of takedown limit could be applied. However, it is verisimilar that the UFC will never incorporate this. The organisation would probably claim that it could not vindicate such a stipulation. After all, strikers are not circumscribed to the amount of punches they are permitted to throw, and similarly submission artists are not constrained by a cap on submission attempts. Following such logic, a wrestler may contest why he/she should be limited in enacting his specific forte. I would be inclined to concur. The concept of a TD limit is of course contingent upon the extent to which wrestlers continue to dominate the sport of MMA. As a fan, I think I speak for the majority when I claim that I would prefer to see an array of arts on display (a veritable assortment of knock outs, TKOs, takedowns, grappling and submissions). After all, it is precisely this diversity which relentlessly draws us to the sport. Unfortunately, there exists the distinct danger, of course, that MMA could essentially develop into a glorified, marginally more dynamic version of wrestling.

It also depends on the implementation of sensible refereeing. Vicious “Ground ‘n’ Pound” too often relents to docile “Lay ‘n’ Pray”, without the necessary action taken by officials to dissuade such sterile and fruitless “activity”, which ultimately leads to non-event fights. Octagon arbiters must be more consistent in their enforcement of the rules. If a wrestler isn’t proactively seeking to conclude a fight on the ground, whether by ground ‘n’ pound or submission, then return the combatants to their feet. It is that straightforward, yet frequently neglected by a number of cage umpires. Even Dana White concurs that a pure wrestling-based bout is decidedly monotonous; after enduring the TUF13 Ep1 bout, he uttered with a wry smile “Round 1 he lay on top of him for 5 minutes, round 2 he lay on top of him for 5 minutes, not the most exciting fight in ultimate fighter history”. Whilst White was left to vocalise the verdict of most, the onus lay (mind the pun) with the referee to prevent a much-maligned “snoozefest”. Yet, some would maintain that the responsibility rested with Nordin Asrih, whose duty as a mixed martial artist is to become well-versed in all areas. Shamar Bailey had even intimated his intentions to physically and technically overwhelm his opponent via takedowns and grappling; “I know he likes to stand and bang…But I think there’s a little difference between European fighting and American fighting”, a statement which underscores the crux of this article.

Perhaps the most droll part of TUF 13 Ep 1 was the German’s post-fight comments, which intrinsically revolved around the idea that had Nordin wanted to physically embrace (aka “cuddle”) a fellow human being for ten minutes, he would have preferred to have returned to his wife. In keeping with such sentiment, Dan Hardy recently apologised to his Twitter followers for the onerous one-sided wrestling match with Antony Johnson, apportioning the culpability firmly on the man known as “Rumble”. Johnson’s retort; “Tell Hardy to go f*ck himself, and learn to wrestle, if he wants to keep the fight standing”. Hardy felt slightly aggrieved by the fact that Johnson had promised a slugfest, but ultimately delivered a “hugfest”. Johnson, however, did not transgress any official UFC rules which declare that a fighter must choose his proverbial “poison”, or weapon of choice, prior to entering the Octagon.

Such public criticisms by British fighters directed towards “negative” American wrestlers have become commonplace (Dre Winner to Nick Lentz, Paul Daley to Josh Koscheck, Dan Hardy to various fighters) but to little or no avail. Indeed, UFC fighters have become too professional nowadays to be enticed into a mindless brawl, they are innately risk-averse and understandably want the “W” which guarantees the acquisition of more revenue and retention of a place on the overcrowded roster (Dan Hardy’s attempts to lure the ever-sensible GSP into a boxing match, by sporting a wrestling singlet and ear guards as part of a spoof documentary, were futile. Fighters like GSP arguably don’t fight to entertain any longer, but rather to protect their legacy and brand). The ostensible frustration experienced by European fighters towards the stalling tactics of their American wrestler counterparts was instantiated by the mercurial enfant terrible Paul Daley, and manifested itself with a sucker punch landed to the face of Josh Koscheck following on from Daley’s decision shut-out.

So have you guessed the conclusion? That the only remaining inexorable solution would be to accept, embrace and conquer the entire wrestling facet of the game. It is rarely captivating, it is infrequently pretty, but it remains wholly necessary in order to win fights at certain junctures. After all, the ability to wrestle (both offensively and defensively) can significantly improve one’s chances of controlling the whereabouts and nature of the bout, the crux of MMA which purportedly decides the fight in the eyes of the cage-side adjudicators. So it’s high time we discard any negative connotations attached to wrestling, tantamount to aggressive “cuddling” in the viewpoint of those Brits who believe that it is inherent in our DNA to “stand and bang”. Whilst the negative stigmatisation carried by the ilk of wrestling that stultifies contests is justified, effective wrestling wins fights.

Conversely, without wrestling, Brits are destined to always be mid-tier fighters, gatekeepers if you will, with a miniscule probability of leading a UFC weight division. I’d go as far to say that without it, the majority of Brits are merely pseudo-mixed martial artists in the modern milieu of ultimate prize-fighting. We have reached an MMA plateau, overly one-dimensional in a self-proclaimed multi-faceted sport. As glorified boxers/kick-boxers they will always pose a threat, the so-called “puncher’s chance”, but then again so did James Toney (yet the man from Xtreme Couture made an extreme example of “Lights out”).

It strikes me (unintentional pun) as purely a short-term policy on behalf of Dan Hardy to specify a fellow stand-up opponent for his one fight reprieve in the UFC. As much as I attempt to overlook comments by internet trolls who revel in negativity, one such keyboard warrior made a valid point in declaring that Hardy should transition to K-1 tournaments if he is adamant on selecting stand-up dance partners. It’s inevitable that Hardy will eventually have to encounter a wrestler (especially if he has designs on challenging for a title) and the conundrum needs to be deciphered. It is no coincidence that Michael Bisping has fared better than any Brit within the sport’s ultimate playing field, the UFC, and this may be partially ascribed to his series of decent performances against decorated wrestlers such as Josh Haynes, Matt Hamill, Rashad Evans and Dan Miller, ensuring that his stock has remained positive and leaving him on the cusp of title contention. In fact, Bisping has even employed takedowns when facing inferior neophyte wrestlers such as Rivera.

The UK’s glaring wrestling deficiency is a well-publicised fact. Even Britain’s premier MMA reporter, Gareth A Davies, described collegiate- or Olympic-level wrestling as “the kryptonite for so many British fighters” If the casual observer may detect it, then a professional fighter will telegraph it and exploit accordingly. By writing this article I must emphasize that I do not wish to tarnish the cachet of British MMA, nor do I intend to convey an overridingly pessimistic impression for its future. After all, our boys are widely perceived to possess some of the best stand-up in the game (Mike Chiappetta, eminent MMA writer, recently described Paul Daley as a “British bomber”, and he stood toe-to-toe with the no.1 ranked boxer in MMA, Nick Diaz, and could have arguably out-boxed the 209 native had he been able to also match the triathlete’s impressive cardio levels). But, the general consensus remains, as generally evidenced by the statistics in the UFC, that a pure grappler will defeat a pure boxer on 9 out of 10 occasions. Imagine the prospects that Blighty would yield should teenagers training in mixed martial arts also receive wrestling tuition akin to that provided in the U.S. This, combined with our innate propensity towards boxing and kickboxing would undoubtedly engender some future greats.

 @jonathanshrager

 

Read more MMA news on BleacherReport.com

30-Something Alternative MMA Walkout Songs the Fans Would Love to Hear

Having read Bleacher Report’s very own Scott Harris’s article on “The Best 50 Entrance Songs in UFC History”, I felt compelled to consider the all-important walkout tune from an alternative perspective, alluded to by Scott in hi…

Having read Bleacher Report’s very own Scott Harris’s article on “The Best 50 Entrance Songs in UFC History”, I felt compelled to consider the all-important walkout tune from an alternative perspective, alluded to by Scott in his piece.  

Weird Al Yankovic’s “Fat” (as utilised by Roy Nelson at UFC 117) featured at number 38 in Scott Harris’s subjective chart, but perhaps most tellingly was Harris’s placement of Rick Derringer’s “Real American”, as employed by serial jokester Tom Lawlor at UFC 105. Indeed, this anthem was positioned at the summit of the list, topping (perhaps controversially for some) classics such as Randy’s selection of “Lunatic Fringe” or Hughes’s theme tune “Country Boy”. However, given my warped sense of humour, I am inclined to concur with Harris. Indeed, as asserted by the writer himself “First, sports is supposed to be fun. Attending and watching sporting events is supposed to be a fun thing. And this entrance song is about as fun as you can get”.

By paying homage to wrestling legend Hulk Hogan, Lawlor is overtly showcasing various redeeming personality traits that can only serve to further ingratiate him to an already adoring fan base (whilst for unpopular fighters, it may help them win over previously fervent disbelievers or vocal critics):

1. Sense of self; the walkout song represents a veritable opportunity to imprint your personality on the MMA canvas, enabling fighters to exhibit their characters and afford the fans further insight into who they are and what they stand for, as fighters, general sportsmen, entertainers and human beings outside of the cage. 

2. Sense of humour; a slight contradiction given the context, after all there isn’t much funny about entering the Octagon to engage in a gruelling battle.

3. Self-deprecation; invaluable for fighters who like to demonstrate that they are humble human beings outside of being posited on a pedestal as combat sport luminaries.

4. Self-assured; paradoxically, those fighters that are both able and willing to ostensibly poke fun at themselves in front of masses of onlookers are invariably the ones who possess the most confidence, as opposed to the fighters that construct a façade of arrogance, and who inevitably hide behind their self-proclaimed swagger.

5. Self-awareness; it’s probably easy for fighters to ignore and deny the MMA’s community’s perceptions of them, but a much more effective ruse is to collaborate with these views (outright misconception, pure speculation or otherwise) and thereby play to the crowd and prospectively diffuse the situation. To confront one’s reputation head-on is an effective therapeutic process.

6. Consideration; in the sense that the fighter has purposefully pinpointed a track that he believes will entertain the crowd before the fight even begins. This is particularly pertinent during an era in which there is excessive pressure heaped on fighters to secure the “W”, wherein the entertainment factor of the sport is often neglected.

Some fighters would certainly overlook the above advice, deeming it more important to fully focus on fighting rather than such trivialities as song selection. Also, in fairness to certain fighters, they may prefer to opt for a song based on the message of impending doom it conveys to their adversary (bearing in mind that fighting is psychological, as well as physical, warfare), and also because a specific fighter may only be motivated by a single musical genre, which subsequently places him in the right frame of mind for combat. However, it’s irrefutable that a humorous entrance song contributes to endearing the crowd in your favour, and concomitantly unnerving one’s opponent.

Begin Slideshow

30-Something Alternative MMA Walkout Songs the Fans Would Love to Hear

Having read Bleacher Report’s very own Scott Harris’s article on “The Best 50 Entrance Songs in UFC History”, I felt compelled to consider the all-important walkout tune from an alternative perspective, alluded to by Scott in hi…

Having read Bleacher Report’s very own Scott Harris’s article on “The Best 50 Entrance Songs in UFC History”, I felt compelled to consider the all-important walkout tune from an alternative perspective, alluded to by Scott in his piece.  

Weird Al Yankovic’s “Fat” (as utilised by Roy Nelson at UFC 117) featured at number 38 in Scott Harris’s subjective chart, but perhaps most tellingly was Harris’s placement of Rick Derringer’s “Real American”, as employed by serial jokester Tom Lawlor at UFC 105. Indeed, this anthem was positioned at the summit of the list, topping (perhaps controversially for some) classics such as Randy’s selection of “Lunatic Fringe” or Hughes’s theme tune “Country Boy”. However, given my warped sense of humour, I am inclined to concur with Harris. Indeed, as asserted by the writer himself “First, sports is supposed to be fun. Attending and watching sporting events is supposed to be a fun thing. And this entrance song is about as fun as you can get”.

By paying homage to wrestling legend Hulk Hogan, Lawlor is overtly showcasing various redeeming personality traits that can only serve to further ingratiate him to an already adoring fan base (whilst for unpopular fighters, it may help them win over previously fervent disbelievers or vocal critics):

1. Sense of self; the walkout song represents a veritable opportunity to imprint your personality on the MMA canvas, enabling fighters to exhibit their characters and afford the fans further insight into who they are and what they stand for, as fighters, general sportsmen, entertainers and human beings outside of the cage. 

2. Sense of humour; a slight contradiction given the context, after all there isn’t much funny about entering the Octagon to engage in a gruelling battle.

3. Self-deprecation; invaluable for fighters who like to demonstrate that they are humble human beings outside of being posited on a pedestal as combat sport luminaries.

4. Self-assured; paradoxically, those fighters that are both able and willing to ostensibly poke fun at themselves in front of masses of onlookers are invariably the ones who possess the most confidence, as opposed to the fighters that construct a façade of arrogance, and who inevitably hide behind their self-proclaimed swagger.

5. Self-awareness; it’s probably easy for fighters to ignore and deny the MMA’s community’s perceptions of them, but a much more effective ruse is to collaborate with these views (outright misconception, pure speculation or otherwise) and thereby play to the crowd and prospectively diffuse the situation. To confront one’s reputation head-on is an effective therapeutic process.

6. Consideration; in the sense that the fighter has purposefully pinpointed a track that he believes will entertain the crowd before the fight even begins. This is particularly pertinent during an era in which there is excessive pressure heaped on fighters to secure the “W”, wherein the entertainment factor of the sport is often neglected.

Some fighters would certainly overlook the above advice, deeming it more important to fully focus on fighting rather than such trivialities as song selection. Also, in fairness to certain fighters, they may prefer to opt for a song based on the message of impending doom it conveys to their adversary (bearing in mind that fighting is psychological, as well as physical, warfare), and also because a specific fighter may only be motivated by a single musical genre, which subsequently places him in the right frame of mind for combat. However, it’s irrefutable that a humorous entrance song contributes to endearing the crowd in your favour, and concomitantly unnerving one’s opponent.

Begin Slideshow