Ricardo Lamas will watch UFC 163: Aldo vs. The Korean Zombie this weekend knowing in his heart that it should be him fighting in the main event.
Lamas is rated as one of the top featherweights in the sport, and many believe he should have been in line …
Ricardo Lamas will watch UFC 163: Aldo vs. The Korean Zombie this weekend knowing in his heart that it should be him fighting in the main event.
Lamas is rated as one of the top featherweights in the sport, and many believe he should have been in line for a title shot already.
He was passed over first in favor of former lightweight contender Anthony Pettis, who cut in front of him when he offered to face Aldo while dropping to 145 pounds for the first time.
When Pettis suffered an injury forcing him out of the fight, Chan Sung Jung (aka The Korean Zombie) was chosen by the UFC as his replacement.
Needless to say, Lamas was frustrated beyond words that he didn’t get the shot.
So with no fight on the horizon currently scheduled, Lamas says in this interview with Bleacher Report that he will happily face whoever the UFC puts on front of him, but when it comes to a featherweight title shot he’s already earned the status as the true No. 1 contender.
“I don’t think I have to do anything,” Lamas said. “I did it already. I beat two guys who were supposed to fight for the title. I think I did enough.”
In the interview, Lamas also gives his pick for the upcoming fight between Aldo and Jung and tells how an upset might be in order this weekend in Brazil.
Check out this interview with Ricardo Lamas to hear that and more.
The term “karate master” conjures a strange duality of notions. To one person, the phrase “karate master” evokes images of the comic character in an action film who sweeps his hands in bladed motions through the air before being felled by a single punc…
The term “karate master” conjures a strange duality of notions. To one person, the phrase “karate master” evokes images of the comic character in an action film who sweeps his hands in bladed motions through the air before being felled by a single punch from the square-jawed protagonist. In another conversation, “karate master” might bring to mind a powerful figure of fighting prowess whose hands and feet are dangerous weapons. The term is used mockingly by those who are practiced in more commonly practiced combat disciplines, and with wonder by those who practice karate.
To the author, “karate master” brings to mind but a few men and women of true note. This scarcity of masters is not for lack of trying to meet the mythical shihan. The author has traveled to Tokyo for months at a time in order to train at the Japan Karate Association. Despite a great many years experience in the art and having trained under a good many tougher karateka than most have the privilege to, I can still only point to a small number of true masters of karate.
When karate is considered as a martial technique whose very nature is in the form of techniques in their appearance and performance, there are more masters on earth than one could shake a boat. Training in dojos with All-Japan champions in both kata(forms) and kumite(point sparring), I have been privy to some beautiful technique and dazzling speed of movement. Immamura, Kawawada, Ogura, Ogata; each impressed me enormously and was capable of technical prowess which I cannot come close to imitating, but I would consider them masters of karate in form alone.
When we consider karate as a martial art, that is, a fighting method, the number of true masters in the world drops into single digits. LyotoMachida is most certainly the most accomplished karateka in the world today in actual combat against trained opponents.
The Machida Method
Machida‘s modusoperandi seems to never change. Controlling the centre is a boxing strategy which extends to chess (or vice versa) because of the offensive options opened to the player who achieves this. Machida never, ever looks to control the centre of the octagon and win points based on aggression. Instead he flits around the outside of the cage.
Each time an opponent moves to attack Machida he darts away as if scared or overly cautious and each time his opponent becomes more and more frustrated that they cannot mount an effective offensive.
Fighters are taught from very early on in their careers to cut down on telegraphing when striking. If a fighter takes a step before he attempts his strikes, it is clear when they are coming. By maintaining a larger than normal distance, Machidaforces the opponent to take a step before they can hit him. In effect, when he eventually stops back tracking and steps in with a punch, he is acting in counter to this step.
Machida isn’t a huge power striker, nor is he one of the stronger men in his division. When Machida does knock opponents out he completely starches them. This is the kind of power which can be generated from a collision rather than an exchange stood in place or by chasing strikes.
Machida‘s kicks are an annoyance at best for the most part (brilliant KO of Couture aside) and serve the same purpose that many of Anderson Silva‘s low kicks do: to get him ahead on the scorecards and force a chase from an opponent who has been told not to chase him.
Whatever Machida chooses to intercept his opponent’s charges with—his left straight, his springing left knee or his newly shown lead elbow strike—he sets it up the same way. False retreats offer little threat to the fighter using them (spare the low kicks to the trailing leg which Machida has shown a weakness to) as he is moving out of range, they limit exchanges, and they force the opponent into a counter-puncher’s game. Absolute reluctance to lead with authority—as LyotoMachida and Anderson Silva have occasionally shown—tends to alienate fans, though.
Machida Karate versus Traditional Karate
This intercepting of the opponent mid strike or sen-no-sen is commonplace at karate point sparring competition but—and here is the key in differentiating a karateka from a karate master—these competitions are normally simply match after match of karateka exchanging gyaku-zuki (reverse punch or the rear hand straight) and the point being awarded to whoever the judges think landed first.
Competition karateka, and by extension the vast majority of karateka in the world, do not have anywhere near the level of defensive savvy that one will see in boxers or kickboxers with the same amount of experience because their chosen sport does not require it.
Scoring in karate competition is entirely subjective and everything that happens after the first punch is irrelevant to the result of the scoring of that exchange. Hence we see karateka leap across the mat with unparalleled quickness, land their punch, then stand in range with their hand on their hip, playing up their posture to judges (often while turning their back) and giving little regard to their opponent’s return.
Is there skill to traditional karate competition? Most certainly, competitors on international teams are ridiculously quick in their execution of their actions, but there is also great skill to all number of non-combative sports. Those who are called “Master” in the karate world are almost invariably clued in only to the technical details of how they would like to see basic air punches and kicks be performed; few have anything worthwhile to offer on fighting strategy or method.
Make no mistake, LyotoMachida is pretty much one-of-a-kind in the Shotokan world. He is intelligent enough to apply his karate against elite fighters, but also to realize many of the shortcomings that karate training can and does bring.
The old adage that a karateka‘s hands and feet are deadly weapons or should be like swords is often taken to mean that a karateka should smash his hands against a makiwaraday in and day out or rep out thousands of punches. I put it to you that LyotoMachida‘s hands and knees are as impotent as anyone’s out in the open—it is his understanding of strategy and his relationship with his opponent which makes him such a dangerous striker.
It is when an opponent becomes infuriated with Machida‘s Will-o’-the-Wisp movement and charges him that Machida‘s short rear straight is turned from a simple thrust of the fist into a telephone pole in the path of a sprinter.
A Little Karate History
In concluding an article on why I believe LyotoMachida is one of a handful of men in the world who can legitimately be called karate masters, it might be interesting to look a little at karate’s history in brief.
Karateka have been very reluctant to grow or adapt as a whole; their love of tradition is well known, but karate itself is a method developed in Okinawa from Okinawan wrestling techniques, Chinesekungfu, Taiwanese boxing and other methods from abroad. Okinawa as a small, weaponless island under oppressive samurai rule had to develop methods of self defense and the Okinawans were more than happy to learn from anyone who had anything to offer.
Karate originally contained a lot more rough neck-throwing movements and was certainly anything but a polished, competitive striking martial art. It was for the most part used against untrained aggressors, plain and simple.
Sparring came to karate very late after it came to mainland Japan. KenwaMabuni (founder of ShitoRyu) played with the idea in the thirties, as did GigoFunakoshi (son of GichinFunakoshi, founder of Machida‘s Shotokan style).
Sparring became more popular when karate moved into the universities and the Japan Karate Association worked to make a competition system for Shotokan. To put it another way, the idea of the ancient high kicking karate master is a myth. Circa 1960 karate sparring looked like this, while the significance of head movement, footwork and combinations had been demonstrated amply by Joe Louis almost twenty years before this.
LyotoMachida brings to the octagon not only a karate style, but a style all of his own. If karateka hope to actually have something to show for all of their effort in the dojo, Machida is the man to look at. His methods are sound, simple and effective, not to mention easy to practice (though difficult to master). His fighting method relies on skill and anticipation, not speed, and yet the traditional karate community refuses to sit up and pay attention to a true genius at work.
In a world where most touting the “Master” moniker have it for time served or adopted it to attract a few more punters into their dojo, LyotoMachida is perhaps the closest thing we have to a true master of karate as a martial art.
Pick up Jack’s eBooksAdvanced Striking and Elementary Striking at his blog, Fights Gone By.
The UFC returns to Brazil this Saturday, August 3, for UFC 163.
The card is headlined by a featherweight title fight between Jose Aldo and Chan Sung Jung, and features a co-main event of Phil Davis vs. Lyoto Machida.
On the whole, the event includes 12…
The UFC returns to Brazil this Saturday, August 3, for UFC 163.
The card is headlined by a featherweight title fight between Jose Aldo and Chan Sung Jung, and features a co-main event of Phil Davis vs. Lyoto Machida.
On the whole, the event includes 12 fights, shaping up as follows:
Main Card
Jose Aldo vs. Chan Sung Jung
Lyoto Machida vs. Phil Davis
Cezar Ferreira vs. Thiago Santos
Thales Leites vs. Tom Watson
John Lineker vs. Jose Maria Tome
FX Prelims
Vinny Magalhaes vs. Anthony Perosh
Amanda Nunes vs. Sheila Gaff
Sergio Moraes vs. Neil Magny
Ian McCall vs. Iliarde Santos
Facebook Prelims
Rani Yahya vs. Josh Clopton
Ednaldo Oliveira vs. Francimar Barroso
Viscardi Andrade vs. Bristol Marunde
Did your breath catch while you scanned the fight card? Or are you still busy trying to find a highly anticipated match after Aldo vs. Jung and Machida vs. Davis?
Fact is, UFC 163 isn’t the most enthralling event of 2013. There are some solid matches, but relevant fights to any division’s title scene are few and far between.
But don’t give up on it just yet. Sometimes these seemingly underwhelming cards end up producing the most action.
Here you will find information about when and where to catch all of Saturday’s action, as well as previews and predictions for each and every match.
One thing that has become certain as of late with the UFC is that jobs are not secure. A bad performance or a losing streak is all it takes for you to be a free agent and on the outside of the world’s largest MMA promotion looking in.
This is the …
One thing that has become certain as of late with the UFC is that jobs are not secure. A bad performance or a losing streak is all it takes for you to be a free agent and on the outside of the world’s largest MMA promotion looking in.
This is the reality facing fighters, with the UFC intent on clearing roster space, as was illustrated by a large number of recent cuts. These have come at the expense of guys at the bottom of the roster and former headliners alike.
Approaching UFC 163, it is almost certain that some men will lose their jobs after the night is over. Here is a look at who may be on the chopping block.
These “Quick Breaks” are short breakdowns of upcoming fights. In a summed up focus of strengths, weaknesses and variables, this will analyze what could happen in the fight and end with this writer’s prediction.
This Saturday, tw…
These “Quick Breaks” are short breakdowns of upcoming fights. In a summed up focus of strengths, weaknesses and variables, this will analyze what could happen in the fight and end with this writer’s prediction.
This Saturday, two of the best featherweights will meet inside the cage to fight for the title of UFC Champion. It all goes down on Saturday for UFC 163 at 10PM EST at the HSBC Arena in Rio De Janeiro, Brazil. FX prelims will air prior to the main card as well.
In the blue corner you have Chan Sung Jung. Better known as “The Korean Zombie,” Jung has been on a tear through the UFC, coming up with three huge wins over tough opponents. Not only did he win, but he did so in very impressive fashion and all three being finishes. Jung is a fighter that will not quit and continues to push the pace. He is dangerous anywhere the fight may go.
In the red corner you have the reigning champion Jose Aldo. “Junior” is regarded as one of the pound-for-pound best in the sport and rightfully so. Standing at 22-1, he hasn’t lost since 2005. He is a versatile fighter and a very quick and explosive fighter. He is very technical, and with the Brazilian crowd behind him, he seems unstoppable.
The styles of these two fighters make this very interesting. Aldo is known for his striking prowess, but Jung is known for finding a way to win and giving it his all. Cardio is the one variable that could make or break this title defense for Aldo, but his legs and knees may give Jung a flashback to his fight with George Roop.
Jung may have a better chance on the ground, but it will be a matter of if he can hold him there. At the end of the day, Jung’s striking is going to look sloppy comparatively, but if he can weather the initial storm, drag him into later rounds or to the ground and keep him there, Jung may very well have a much better shot to take the title than people think.
Prediciton: Aldo wins via TKO in the 1st or 2nd Round.
Chan-Sung Jung, The Korean Zombie, might well be the most exciting fighter to ever grace the octagon. Between the flamboyant jumping knees, twisters and rice bail turnovers, Jung is also strikingly well-rounded and, of course, appeals to an enormously …
Chan-Sung Jung, The Korean Zombie, might well be the most exciting fighter to ever grace the octagon. Between the flamboyant jumping knees, twisters and rice bail turnovers, Jung is also strikingly well-rounded and, of course, appeals to an enormously under represented demographic by being an Asian fighter who has reached the upper echelons of the UFC.
In MMA circles, there is the occasional delusional fan who argues that Asia just hasn’t had any good fighters, and similarly extreme claims come from the JMMA elitists about a whole group of fighters that the UFC won’t sign but who would mop up. The truth, as it often does, stands somewhere in the middle and is nowhere near as exciting. There have been many great fighters out of Asia, but for various reasons, they have not been picked up by the UFC after the fall of PRIDE or just haven’t cut it.
The two most prominent examples are Kid Yamamoto and Takanori Gomi, two absolutely elite fighters whose records show ample wins over quality competition but who were already on pretty unimpressive streaks when Asian promotions stopped outbidding the UFC for them. Now they are winding down their careers, losing to whoever needs a big name on their record.
The Korean Zombie, however, represents a world-class talent out of Asia who has been signed early enough in his career that he can develop and peak inside the octagon, rather than spend the twilight of his career there.
Jung has also achieved far more than gaining interest from an Asian demographic, because, unlike Yushin Okami and Yoshihiro Akiyama, he has provided exciting, card defining performances inside the octagon. In each of his UFC appearances, he has picked up one of the much sought after “of the night” bonuses: a submission of the night over Leonard Garcia, a knockout of the night over Mark Hominick and fight of the night against Dustin Poirier.
The Korean Zombie’s style is an incredible mash-up of high-level technician and flat-nosed brawler. While he got his nickname, the Korean Zombie, for his constant forward motion while getting hit in the head, since his knockout loss to George Roop, Jung has tightened up some of the nuts and bolts in his game while still adhering to his philosophy of constant aggression.
Chan-Sung Jung’s head movement is, for the most part, far more effective than other fighters currently competing in MMA. His constant forward motion is accompanied by dipping jabs and weaving hooks as he presses his opponents towards the fence. Infighting well is incredibly rare in MMA, and the Zombie can do it well. The worst place to fight Leonard Garcia was thought to be in a brawl, but Jung stood in the pocket with Garcia and negated almost everything the American threw at him through their two fights.
The unfortunate side effect of owning good head movement is that it encourages a fighter to commit to exchanges far more often. Consequently, their opponent misses plenty of punches, but even connecting at a low percentage, the strikes rapidly add up. Leonard Garcia would hit Jung clean with the fourth or fifth punches of his salvos as Jung got sloppy late in exchanges.
But then Jung’s pace is what makes him; he pressures opponents and works them over in exchanges, as the Diaz brothers do, but rather than simply offering one-note offense, Jung will use the expectation of a brawl to land more exciting and high reward techniques.
The jumping knee which Jung attempts in almost every fight after a few engagements is a beautiful example. When one says “flying knee,” most fans think of sprinting towards an opponent and leaping at them—in the manner of the aforementioned Yamamoto. Jumping knee here means a more strategic use and is something you will see other fighters starting to do in MMA, but more commonly in Muay Thai.
The jumping knee is not a chasing technique but an intercepting technique—once the opponent is clearly committing to tucking his chin down and diving into exchanges. Intercepting techniques are by far the most damaging of all strikes, whether it be a straight right, a cross counter, a dipping jab or Machida’s great intercepting springing knee (more on that tomorrow).
It doesn’t matter whether you subscribe to Bruce Lee’s writings or any classical text on boxing; intercepting strikes are by far the most prized strikes, because striking an opponent as he comes in causes a collision, which has far more to do with punching power than how hard a man can swing on his own.
This method of landing a jumping knee strike, using it in anticipation of the opponent jumping into an exchange, is so magnificent because it takes a powerful, high-reward strike and takes some of the risk out of it by not using it as a Hail Mary. The Korean Zombie connected it beautifully against Leonard Garcia and Dustin Poirier among others, and it certainly shook both his opponents and brought the crowd to its feet.
Another instance of such an intercepting knee attempt was seen just this week as Robbie Lawler attempted to mix up his game against his over matched opponent at UFC on Fox 8. Lawler attempted it about three times, but his opponent’s upright stance prevented Lawler from connecting it all that cleanly.
Jung can fight on the counter (as he showed when Mark Hominick tried to sucker punch him off of the glove touch) and on offense, but he is certainly a peculiar boxer. He will let his non punching hand dangle at his waist, so that when his head movement fails to take him out of harm’s way, he will eat the force of a strike across his chin with no buffer.
Furthermore Jung throws long, looping hooks which seem to connect with the thumb side of his fist and take what seems like an age to reach their target—yet they clearly have power despite being almost straight armed swings, and they are laser accurate even when he is mid bob or looking at the floor.
Yes there is certainly no one like The Korean Zombie, and that is what makes this bout interesting. The amount that Jung gets hit in his bouts makes me most pessimistic of his chances against Jose Aldo, and I certainly wouldn’t want to place any money on him, but there are certainly some factors which fans may not have considered in getting caught up in the now substantial legend of Aldo.
Firstly Chan-Sung Jung is pretty much unmatched for pace on the feet in his division. It is easy to forget how hard of breathing Aldo became after just two rounds of Mark Hominick slipping inside of his punches and hitting him in the chest and ribs. Obviously, Aldo took Hominick down with ease and regularity and connected good kicks to pick up the win, but he was breathing heavy for much of the bout.
Of course, Jung is a head hunter, which is a terrible shame due to the accuracy and frequency with which he hits in the pocket. With effective body work, Jung could have his opponents wilting underneath his assault by the second round almost without exception. But pace is a killer, and as Jung can and will pour it on as long as he is conscious, Aldo’s cardio, which has looked especially questionable since he started packing on muscle, might well be put to the test.
The second factor that many are pointing to as the decider of the bout is the frequency with which Jung gets hit hard even when dominating a bout. What many haven’t noted is that Jung tends to get hit in prolonged exchanges more than by single punches or kicks, and his evasions seem to have improved markedly since his bouts with Leonard Garcia.
As Jose Aldo rarely throws combinations in excess of two or three punches followed by a low kick, the Zombie’s chances in close with the champion might well be underrated.
If there is something that the Zombie has to watch out for, it is the uppercut. Without a doubt, it’s Aldo’s best power punch but one which he often doesn’t get occasion to use all that well (opponents who want to try to check kicks tend to stand more upright, uppercuts are punches for hunched fighters). Jung ducks punches by bending at the waist and will often look down as he does so.
If Aldo’s area of weakness were to be in Jung’s favored close-range exchanges, the great equalizer could certainly be Aldo’s uppercut. Where Aldo normally has to trick opponents into lunging into it (see the Manny Gamburyan fight), the kind of bout that The Korean Zombie loves involves giving Aldo windows for the uppercut throughout.
I have a great sense of excitement for this bout, and I doubt I will have time to write a “Killing the King: Jose Aldo” feature before the event, but I, of course, have no idea how the bout will play out. We could see Jung laid out with a big punch or knee as he tries to brawl with a harder hitter, or we could see Aldo wilt under the assault. We could even see a mid-air collision of flying knees. We can never write anything off, but come back Monday morning, and we’ll look at how it went down.
Come back tomorrow for a Machida feature.
Pick up Jack’s eBooksAdvanced Striking and Elementary Striking at his blog, Fights Gone By.